Pierre bonnard 1867–1947 was of the generation of artists that helped transform painting during the first half of the 20th century. Focusing on his work from 1912 to 1947, this lavishly illustrated book presents landscapes and intimate domestic scenes that capture the passage of time, often conveying a sense of sensuality or melancholy.
. As a painter, bonnard preferred to work from memory—imaginatively capturing the spirit of a moment and expressing it through his unique handling of color and unconventional choice of composition. Along with looking at bonnard’s processes, and his ability to work on different subjects side-by-side, his reliance on photography, this book sets Bonnard in the turbulent history of his times.
Published to accompany a major exhibition, the book reveals Bonnard’s transition from great colorist to Modernist master and emphasizes his place within 20th-century art.
Landscape Painting Now: From Pop Abstraction to New Romanticism
Landscape painting now is the first book of its kind to take a global view of its subject, featuring more than eighty outstanding contemporary artists―both established and emerging―whose ages span seven decades and who hail from twenty-five different countries. Through its thematic organization into six chapters―realism and beyond, and complicated vistas―the book affords a generous window into the very best of contemporary landscape painting, Abstracted Topographies, Julie Mehretu’s dynamically cartographic abstractions, fleshy landscapes to Peter Doig’s magic realist renderings of Trinidad, New Romanticism, David Hockney’s radiant capturings of seasonal change in the English countryside, Maureen Gallace’s serene views of beach cottages and the foaming ocean, Alexis Rockman’s mural-sized, from Cecily Brown’s sensual, Post-Pop Landscapes, Constructed Realities, postapocalyptic dioramas, and far beyond.
Landscape painting now features an extensive essay by Barry Schwabsky, art critic for The Nation. Van scoy introduce each artist, situating the importance of landscape within their practice and addressing key works. From fantastical worlds to political topologies: a global survey of landscape painting in the 21st centuryAlthough the fact may be surprising to some, landscape painting is positively thriving in the 21st century―indeed, the genre has arguably never felt as vital as it does today.
With over 400 color reproductions, including many details, this ambitious survey makes a compelling case for the continued relevance of landscape painting in our time. Featured artists are etel adnan, pat de groot, adrian ghenie, cynthia daignault, ali banisadr, hurvin anderson, alfredo and isabel aquilizan, amy bennett, nigel cooke, will cotton, genieve figgis, ayman baalbaki, Lucas Arruda, Francis Alÿs, Tim Gardner, Tim Eitel, Rackstraw Downes, April Gornik, Verne Dawson, Inka Essenhigh, Franz Gertsch, Mamma Andersson, Maureen Gallace, Andreas Eriksson, Vincent Desiderio, Daniel Heidkamp, Peter Doig, Gillian Carnegie, Noa Charuvi, John Beerman, Cecily Brown, Barnaby Furnas, Richard Estes, Hernan Bas, Lois Dodd, Isca Greenfield-Sanders, Jane Freilicher, Jules de Balincourt, Barkley L.
Shane, louise Sørensen, and Susan A.
Hockney - Van Gogh: The Joy of Nature
Nature has been a substantial theme for both david hockney and vincent van gogh, one that draws their work together―Hockney’s Yorkshire landscapes are especially reminiscent of Vincent van Gogh’s Wheatfield with Crows and The Harvest―and now, for the first time, art lovers can study their pieces side by side.
An exclusive interview with hockney and an essay by writer and art critic Hans den Hartog Jager provide a rich analysis of Van Gogh’s influence on Hockney. A collection of two extraordinary artists’ landscape paintings, with new insight into Vincent van Gogh’s influence on David Hockney. Hockney ― van gogh: the joy of Nature presents unique insights into the influences of two world-renowned artists.
Presenting paintings, and sketchbook reproductions, and including work both old and new, iPad drawings, this book examines the ways in which both artists use formal elements to create their particular view of the world. Illustrated in color throughout.
California Landscapes: Richard Diebenkorn / Wayne Thiebaud
Included are his works from the early 1970s through 2017, flattened aerial views of the Sacramento River Delta, including his dramatic depictions of San Francisco, and close-ups and cross-section views of mountains and beaches. A must-have for anyone interested in these two beloved West Coast artists, best known for their geometric abstractions of the California landscape.
Featuring the pairings of more than 50 paintings, this book shows the connection of these two artists like never before. Richard diebenkorn and wayne Thiebaud were close friends; they shared the inspiration of California and experimented with perspective to capture their surroundings. The book includes important examples from Diebenkorn’s Berkeley series in addition to several works from the artist’s Ocean Park series.
Wayne thiebaud began producing landscapes in the 1960s, experimenting with perspective to capture his Californian surroundings. Inspired by the environs of the ocean park neighborhood in Santa Monica, where he lived at this time, these works from the 1960s are characterized by geometric abstractions of subtle line and suffused with Californian luminosity.
PIERRE BONNARD, LES JARDINS GB PEINTURE-PHOTO-SCULPTURE French Edition
Le thme du jardin est trs prsent dans toute loeuvre de Pierre Bonnard, comme sujet principal ou comme fond. Aprs les expositions bonnard organises dans le monde entier, le muse d'Orsay se devait de lui consacrer une rtrospective reprsentative de toutes les priodes de sa cration. Sa palette aux couleurs vives et lumineuses en fait l'un des principaux acteurs de l'art moderne et un reprsentant minent du courant arcadien.
Du tableautin au grand format, du portrait la nature morte, du paysage urbain au dcor antique, de la scne intime au sujet pastoral, l'oeuvre de Bonnard nous rvle un artiste instinctif et sensible.
Sorolla: Spanish Master of Light
His monumental early works established the artist’s reputation as an unflinching social realist. This sumptuously illustrated book traces Sorolla’s career at home and abroad, focusing on more than 60 canvases. As sorolla found a wealthy clientele toward the turn of the century, his focus turned to sun-drenched scenes of leisure and elegant sociability: beautiful women stroll in fashionable resorts and children gambol on the seashore.
Here, leading scholars offer a contemporary assessment of his career and explore Sorolla’s relations with the most famous bravura painters of the day, including John Singer Sargent and the Swedish artist Anders Zorn. The bravura impressionist works of the premier spanish painter of a century ago, showcased and explored in detail by an international team of renowned scholars Joaquín Sorolla y Bastida 1863–1923 was the leading Spanish painter of his day, world-famous when Picasso was still struggling to establish a name.
Sending pictures strategically to major exhibitions across Europe, Sorolla depicted peasants, fishermen, and sail-makers eking out meager existences; young women forced into prostitution; and naked, disabled orphans. These include portraits, landscapes, the bathers and seascapes for which he is most famous, and genre scenes of Spanish life.
Rarely had Impressionist technique been turned to such provocative ends. An illustrated chronology by Blanca Pons Sorolla, the artist’s great-granddaughter, provides additional information.
Sorolla: Painted Gardens
Sorolla had achieved renown on both sides of the Atlantic for grand scenes of Spanish life when he began a personal series of garden works, presented completely for the first time in this publication. Painted at the palaces of la granja and the alcázar in seville, the alhambra and Generalife in Granada, these Impressionist works allowed Sorolla to apply his signature loose brushwork and training as a photographer's lighting assistant to gardens and the sculptures, architecture, and at the painter's home in Madrid, and sitters that frame and animate them.
Described by monet as "the master of light, " Sorolla and his landscapes, formal portraits, and historically themed canvases drew comparisons to contemporary American painter John Singer Sargent. Sorolla depicted reflections in fountains and pools, sprays of orange blossoms, the sunlight dappling his glamorous sitters, and shaded blue-and-white tile as he endeavored to render the radiant peace of a summer afternoon.
Valencian master sorolla's Impressionist paintings depict the most beautiful gardens and architecture in Spain. Like claude monet's celebrated plein air landscapes at giverny, the series collected in this book represents among the best-loved examples of Joaquín Sorolla's 1863-1923 work, and a window into the Spanish painter's quest to capture the essence of a garden.
Manet and Modern Beauty: The Artist's Last Years
Often dismissed as too pretty and superficial by critics, propose a radical new alignment of modern art with fashionable femininity, these later works reflect Manet’s elegant social world, and record the artist’s unapologetic embrace of beauty and visual pleasure in the face of death. The name manet evokes the provocative, delicate pastels, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, intimate watercolors, heroically scaled pictures he painted in the 1860s for the Salon, and impressionistic scenes of suburban gardens and Parisian cafés.
This volume is published to accompany exhibitions at the Art Institute of Chicago May 26 to September 8, 2019 and the J. Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, and more, a technical analysis of the late Salon painting Jeanne Spring, a chronology, a selection of the artist’s correspondence, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artist’s oeuvre.
Paul getty museum at the getty center October 8, 2019, to January 12, 2020. This stunning examination of the last years of Édouard Manet’s life and career is the first book to explore the transformation of his style and subject matter in the 1870s and early 1880s. .
A richly illustrated monograph on the life and work of Lee Krasner, one of the twentieth century’s most inspiring women artists and a pioneer of abstract expressionism. In 1984, lee krasner 1908–1984 became one of the few women artists to have been given a retrospective at the Museum of Modern Art, New York.
She quipped about her belated recognition: “I was a woman, thank you, a damn good painter, a widow, Jewish, and a little too independent. One of the original pioneers of abstract expressionism, Krasner has for too long been eclipsed by her husband, Jackson Pollock. 250 color illustrations. This richly illustrated monograph is a comprehensive survey of the work of one of the twentieth century’s most dynamic artists.
In fact, his death in 1956 marked her renaissance as an artist. Coinciding with a major exhibition at barbican art gallery, collages, an illustrated chronology, and works on paper, Lee Krasner features an outstanding selection of her most important paintings, contextualized by photography from the postwar period, and an unpublished interview with her biographer Gail Levin.
Monet: The Late Years
Essays by a roster of distinguished scholars address topics such as Monet’s plans for displaying his late paintings, the mechanics of his painting technique, and the critical and market reception of these works. More specifically, monet: the late years focuses on the series that Monet invented and reinvented at Giverny, reevaluating many large-scale works that have long been considered preparatory studies, reexamining their relationship to and status as finished works.
A detailed overview of the innovation and ambition that drove one of the best-known Impressionist painters at the end of his career In the later years of his life, Claude Monet 1840–1926 stayed close to home, turning to his extraordinary garden at Giverny for inspiration. This beautiful publication examines the last phase of Monet’s career, beginning in 1913, bringing together approximately 60 of his greatest works from this period.
The garden became a laboratory for the artist’s concentrated study of natural phenomena—and for a revolutionary shift in the appearance and execution of his paintings. Through this visually stunning reassessment, Monet’s late works, still astonishing a century later, recast the titan of Impressionism as a radical modern painter.
Vallotton’s vivid, enigmatic and sometimes unsettling paintings and woodcuts made him a key commentator on the social mores of fin-de-siècle ParisBy the end of the 19th century, Paris was the unrivaled capital of the Western art world. Although he produced some of his most important work in Paris in the 1890s in painting and print, his original and innovative approach persisted throughout his career.
Impressionism had transformed the visual arts and post-impressionism was flourishing in its wake; new boulevards and parks had modernized the city; theaters and department stores provided endless opportunities for entertainment and consumption. Texts by leading authorities on the artist look at his life, work and reception.
Swiss artist félix vallotton 1865–1925 was born in Lausanne, but spent much of his working life in France. As his work evolved, the sharp realism and cool linearity of his later style made him one of the most distinctive artists of the early 20th century. Generously illustrated throughout with the finest of his paintings and prints, this book accompanies a new presentation of Vallotton’s oeuvre in New York and London that includes works never before seen in public and aims to reevaluate his output and legacy.
Vallotton adopted their decorative painterly language, also sharing their interest in journalistic illustration and Japanese ukiyo-e prints. His paintings and woodcuts offered witty and often unsettling observations of domestic and political life, and he is now considered one of the greatest printmakers of his age.
Artists were seen by many as the avant-garde of a new society.